Ashley Roberts for Fault Magazine
Thu, 24 May 2018 15:38:00 ZHP unveils DesignJet Z6 and Z9+: faster, more efficient large-format photo printers
During the FESPA Global Print Expo in Berlin last week, HP unveiled two new DesignJet Z Series large-format printers: the DesignJet Z6 and Z9+. Both models will be available in 24-inch and 44-inch formats with onboard vertical trimmers, new HP Pixel Control color technology, and a redesigned poster application.
According to HP, the new Z Series printers are able to print 2.5 times faster than the DesignJet Z3200 Photo Printer while utilizing fewer inks, the end result being improved performance and reduced costs. The company claims these new large-format printers offer the "fastest printing capabilities available on the market today."
The DesignJet Z6 printer is designed specifically for Geographical Information Systems (GIS) users and creators, as well as anyone else in need of water- and fade-resistant large-format prints. The Z9+ model, meanwhile, is targeted at consumers and retailers in need of "amazing photographic quality prints."
HP explains that its Pixel Control technology coupled with HP Nozzle Architecture (HDNA) results in true-to-color prints made using nine instead of 12 inks; there's also support for HP Professional PANTONE Emulation. Other features include dual drop technology, HP Secure Boot and JetAdvantage Security, and HP PrintOS for remote printer management.
HP plans to release the DesignJet Z6, Z6x10, and Z9+ large-format printers on June 1st, with the larger 44-inch models with dual roll and the vertical trimmer not arriving until around July 1st. The company didn't specify which markets the printers will launch in, or how much they will cost when they do.
HP Launches State-of-the-Art Large Format Photo Printers
BERLIN, May 15, 2018 – HP Inc. unveiled its new DesignJet Z Printer series at FESPA Global Print Expo to showcase innovative large format technologies offering amazing image quality and fast, simple output for print service providers (PSPs), retailers, and creatives to deliver beautiful photos, impactful graphics and technical applications.
The market for large photo merchandising grew seven percent in 20171 with nearly 1.3 trillion photos taken in the same year2. The demand for simplicity and unrivaled photo quality is growing, fueling the need for printing solutions that remove bottlenecks and increase time savings.
The new HP DesignJet Z6 and Z9+ Printer series is designed to easily maximize printing performance for amazing photo output. By tightly integrating the materials, hardware, and software together, the new printers offer amazing photo quality and print permanence with fewer inks to simplify manageability and reduce costs. New vertical trimmer is featured on select models to optimize output in addition to other innovative technologies for rapid high-quality production from professional photo quality prints to retailer signage. The result is printing 2.5 times faster3 and post-production 20 percent faster4.
"The new DesignJet Z Printer series radically enhances the customer experience and reinvents printing possibilities for both professional photo and signage to ignite business growth and adapt to future needs,” said Guayente Sanmartin, General Manager and Global Head, HP Large Format Design Printing, HP Inc. “We thoughtfully designed the new printers to deliver impressive photo quality without compromising time resources and output speeds with the new vertical trimmer and innovative color technologies.”
The DesignJet Z Printer series will debut at FESPA 2018 at HP Booth 3.2 C20.
Simple and fast output for high-quality vibrant photos
HP DesignJet Z Printer series, both available in 24- and 44-inch formats, are built to give PSPs a competitive edge by enabling the fastest printing capabilities available on the market today. As an industry first, the HP DesignJet Z6 and Z9+offer a premium option with onboard vertical trimmer for fast and efficient production. New color technology, HP Pixel Control, now for the first time manages colors in a truly digital way to help customers embrace new opportunities for color-rich and dynamic printing.
For print service providers who rely on amazing professional photographic quality prints, the HP DesignJet Z9+ printer allows for a broad range of graphics and technical applications.
The DesignJet Z6 Printer series is designed for Geographical Information Systems (GIS) creators and users, print service providers, and retailers who require a simple to use solution for high-quality technical and graphics applications with water/fade resistance. The new print series is designed to handle even the most complex files with powerful processing architectures and the Adobe PDF Print Engine.
Specific technologies and features include:
- HP Pixel Control: Achieve true-to-color prints and an expanded color gamut with RGB HP Vivid Photo Inks, featuring chromatic red, chromatic green, and chromatic blue, the i1 embedded spectrophotometer5 and HP Pixel Control. HP Pixel Control is truly digital color pipeline designed for outstanding, consistent image quality delivered by controlling every print-ready pixel. Combining HP HDNA with HP Pixel Control, users get amazing image quality with just nine inks versus 12 compared to the previous generation HP DesignJet. The new printers also offer HP Professional PANTONE Emulation to match Brand identity colors.
- Dual drop technology: Produce prints with clear details and high-contrast color with dual drop technology powered by HP Nozzle Architecture (HDNA) and high-definition printheads. The HP DesignJet Z9+ features an upgradable configuration for a higher gloss output6.
- Tools to create: Simplify large format printing with a redesigned poster application in the HP Applications Center7, which also includes Adobe Stock, Unsplash, Vecteezy, and Pattern Design, offers customers access to the necessary tools for creating beautiful, original signs, and posters. The HP Applications Center also embeds augmented reality (AR) technology to ignite the creation of more meaningful and engaging content for print.
- Indoor and Outdoor Durability: Create prints with highly-stable pigment HP Vivid Photo Inks that provide water-resistant, fade-resistant prints8 for long-term indoor display and, when printed on suitable water-resistant media, outdoor display. HP Vivid Photo Inks gives PSPs the assurance that the prints they make for their customers will last as long as possible.
- Security: Take advantage of the industry’s most secure printers with HP Secure Boot, whitelisting, authentication solutions, and HP JetAdvantage Security manager to safeguard printers and data for enterprise and government.
- HP PrintOS: Remotely manage the print production environment from anywhere at any time with HP PrintOS now offered on the HP DesignJet Z Printer series.
HP is also announcing enhanced HP DesignJet Z6x10 Printers for a better user and output experience. Boasting a new fresh design, the new printers have new labeling indicating the printer colors to simplify ease-of-use. The printers have new printheads and Chromatic Red Ink formulation to deliver sharp detail and precise line quality. Optimized fast and normal print modes for heavyweight coated, polypropylene and canvas to speed-up production and enhance image quality. Lastly, the new printers will have 500 GB HDD with more virtual memory to process complex and graphic intensive prints.
HP offers a wide variety of innovative media including the new:
- HP Recycled Satin Canvas is a 17.4 mil (443 micron), 370 gsm crack-resistant canvas for HP aqueous inks, made from 100% recycled water bottles making it the first of its kind in the HP Wide Format Media Portfolio.
- HP Everyday Blockout Display Film with a unique construction of three layers of polypropylene, polyester, and polypropylene film for an added suppleness and superior lay-flat properties. HP Everyday Blockout Display film is a thicker film compared to 100 percent polyester, costs less, and has a coating for dual ink technology.
The HP DesignJet Z6, Z6x10, and Z9+ Printers are expected to be available on June 1, 2018. The 44-inch HP DesignJet Z6 and Z9+ with dual roll and vertical trimmer are expected to be available on July 1, 2018.
1. Source: Photo Merchandising report from Infotrend
2. Source: New York Times
3. Based on internal HP testing April 2018, tests done on mechanical printing time. Up to 2.5 times faster printing compared to the HP DesignJet Z3200 Photo Printer series. May vary depending on print mode and media type.
4. Vertical trimmer and dual rolls included with the HP DesignJet Z9⁺dr 44-in PostScript® Printer with V-Trimmer only. Up to 20% reduction in post-processing labor time based on internal HP testing compared to HP DesignJet Z9⁺dr series printers without built-in vertical trimmer.
5. Embedded in the HP DesignJet Z9⁺ Printer series is an i1 spectrophotometer from X-Rite. Close collaboration between HP and X-Rite ensures a reliable solution that’s been thoroughly tested to meet customer demands for ease, quality, and dependability.
6. Based on internal HP testing April 2018, tests on mechanical printing time, comparing to HP DesignJet Z9⁺ series printers without gloss enhancer. HP Gloss Enhancer can be used on photo paper, except for matte-finish papers. Optional upgrade available second half 2018.
7. Requires an HP Applications Center account, Internet connection, and connected Internet-capable device. For more information, see http://www.hpapplicationscenter.com.
8. Performance may vary based on writing system differences. Print permanence estimates by HP Image Permanence Lab based on the same formulation of HP Vivid Photo Inks used with the HP DesignJet Z6200 Photo Production Printer, using 6 inks. Water resistance performance varies based on printer and print profile. Water resistance testing by HP Image Permanence Lab on a range of HP media and follows ISO 18935 method. Display permanence rating for interior displays/away from direct sunlight by HP Image Permanence Lab on a range of HP media. For more information, see http://www.HPLFMedia.com/printpermanence.
9. Pricing and availability subject to change.
Thu, 24 May 2018 14:03:00 ZRED simplifies cinema camera lineup, dramatically drops prices
If you’re in the market for a new RED camera, you’re in luck. The California-based cinema camera company has announced that it’s both simplifying its product lineup, and dropping prices on all of its cameras.
Starting today, RED’s product lineup has been pared down to just three cameras: the DSMC2 Monster, the DSMC2 Helium, and the DSMC2 Gemini. The prices are now $54,500, $24,500 and $19,500, respectively, which amounts to a savings of over $25,000 for the Monster and Helium, and a savings of more than $5K for the Gemini.
Each of the cameras are now available in aluminum alloy and the Helium is capable of being outfitted with RED’s Helium 8K S35 Monochrome sensor:
As for why this change is happening, RED says the change is being made to "[simplify] our portfolio." The company says it "found efficiencies, and [we’re] passing along the benefits to our users."
RED also notes that the names of cameras will be changed when upgraded to firmware v7.0.3 or later. The different naming scheme is seen in the below image.
For people who have already placed an order that hasn’t shipped for an older camera that’s no longer offered, RED will update the ordered camera to the DSMC2 Brain with the exact same sensor for no additional cost. There are also upgrade options available.
You can read the full documentation of the product line simplification and changes on RED’s product support page.
Thu, 24 May 2018 05:00:00 ZFujifilm X-T100 offers large EVF and phase-detect AF for $600/€600
Fujifilm has announced its latest X-series camera, the X-T100. The camera takes the innards of the entry-level X-A5, including its 91-point phase-detect AF system, and adds a fully articulating LCD and high resolution OLED electronic viewfinder (borrowed from the X-T20).
As with the X-A5, the X-T100's 24MP APS-C CMOS sensor uses a traditional Bayer color filter, rather than the X-Trans filter found on pricer X-series cameras. The X-T100 has the usual Fujifilm feature set, including the much-loved Film Simulation Modes.
The camera can shoot continuously at 6 fps and can capture 4K UHD video, albeit at a why-did-they-bother 15 fps. Battery life is rated at an impressive 430 shots per charge. For sharing photos the X-T100 includes Bluetooth to speed up the Wi-Fi connection process.
The X-T100 is available with or without the Fujinon XC 15-45mm F3.5-5.6 OIS PZ lens, priced at $599/€599 and $699/€699/£619, respectively. It will be available in mid-June in your choice of 'dark silver,' 'champagne gold' and black.
FUJIFILM INTRODUCES THE NEW FUJIFILM X-T100 TO X SERIES MIRRORLESS CAMERA LINEUP
A stylish interchangeable lens camera featuring automatic scene recognition, a three-way tilting touchscreen and Bluetooth® technology
Valhalla, N.Y., May 24, 2018 – FUJIFILM North America Corporation today announced the debut of its new FUJIFILM X-T100, a compact interchangeable lens camera with a sleek design. Available in Black, Dark Silver, and Champagne Gold, the new X-T100 offers a host of features including a high magnification electronic viewfinder, horizontal tilting rear LCD screen, built-in Bluetooth® technology for quick and easy image sharing and an extended battery life allowing up to 430 frames per charge. In addition, the X-T100 weighs just 448g with anodized coating on aluminum top cover, delivering a simultaneously retro and luxury feel.
“We are excited to announce the X-T100 as the latest addition to the X Series lineup,” said Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “This mirrorless camera is a perfect fit for photographers looking for an easy to use, compact and versatile camera, offering excellent image quality with a variety of enhanced features with the familiar design of previous FUJIFILM X-T series cameras.”
Equipped with a powerful 24.2 megapixel APS-C sensor and high-speed image processing engine, the X-T100 is compatible with the full X Mount lens lineup of 26 FUJINON high quality lenses which cover focal lengths from 15mm to 1200mm (35mm equivalent). Combining Fujifilm’s renowned outstanding image quality with the company’s proprietary color reproduction technology, the X-T100 is stylish, portable, and highly versatile - making it the ideal companion for everyday photography.
Fast Autofocus, Automatic Functions, and Sleek Design Offer Ease of Use
The X-T100 uses a Phase Detection Autofocus system and algorithm originally designed for flagship X Series models, to ensure quick and precise capture of images even when photographing fast-moving subjects. Adding to its ease of use, the camera also features an advanced SR+ Auto shooting mode that is capable of detecting the subject and scene simultaneously, and selecting the optimum settings accordingly to provide intelligent, fully-automatic shooting. This mode is perfect for situations where it is difficult to select the right settings, or when a series of quick shots is what the photographer is after.
The X-T100 features a three-inch touch panel display to make composition easy. Featuring
1.04-million dots for a crystal clear view of the action, this screen swings out horizontally to almost 180 degrees. Not only does this help to compose shots at awkward angles, it also makes it possible to take selfies or shoot video blogs with a clear view of what’s in the frame.
Although the X-T100 has the look of a timeless classic, the camera body weighs just 448g with battery and memory card, so it’s small and light enough to accompany photographers wherever they go. It also comes with a shoulder strap and a detachable grip for added security and comfort.
Artistic Expressions for Everyday Creativity
The X-T100 offers 11 variations of unique FUJIFILM Film Simulation modes and 17 variations of Advanced Filters—all of which provide photographers with the ability to add greater artistic expression to images. Setting adjustments on the X-T100 is quick and easy with one-step operation that is made possible via the function and exposure compensation dials on top of the body, and the touch-and-flick function available on the rear LCD monitor.
Not only can the X-T100 produce breathtaking stills, but with 4K and the option to shoot in slow motion, it’s great for video too. Full HD movies can be shot at speeds of up to 59.94fps for super-smooth footage. To help maximize sound quality, the X-T100 is equipped with a microphone port so videographers can record audio from a compatible external microphone (sold separately).
Bluetooth® Technology for Quick and Seamless Image Transfer
The X-T100 features the latest Bluetooth® low energy technology, allowing users to quickly and seamlessly transfer images using the free “FUJIFILM Camera Remote” app. This function enables constant image transfer, even while in shooting mode, so images can be uploaded and shared within moments.
FUJIFILM X-T100 Key Features:
- 24.2MP APS-C CMOS sensor and high-speed imaging processor equipped with Phase Detection AF system
- 3” (approx. 1,040K-dot) high resolution LCD touchscreen can be tilted 3 ways
- Standard output sensitivity of ISO200 – ISO12800
- Extended output sensitivity: ISO100 – ISO51200
- 4K video recording up to approx. 30 mins
- Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p, Continuous recording up to approx. 30 min.
- HD 1280 x 720 59.94p / 50p / 24p / 23.98p, Continuous recording up to approx. 30 min.
- High Speed Movie 1280x720 / 1.6x / 2x / 3.3x / 4x, Continuous recording up to approx. 7 min.
- Bluetooth® version 4.1 low energy technology
- Wi-Fi® image transfer and remote camera operation
- Improved battery life for still images - approx. 430 frames
- Start-up period:
- 0.4 sec., when High Performance mode set to ON
- 0.8 sec., when High Performance mode set to OFF
- Photos can be sent to instax SHARE printers using the free “instax SHARE” app
- Accessories include:
- Li-ion battery NP-W126S
- AC power adapter
- Plug Adapter
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
- Detachable Grip
Availability and Pricing
Kits and cameras will be available in Black, Dark Silver, and Champagne Gold. Dark Silver and Champagne Gold are two exciting colors new to the X Series lineup, seen for the first time in the X-T100.
The new FUJIFILM X-T100 will be available as a kit with the FUJINON XC15-45mmF3.5-5.6 OIS PZ lens on June 18, 2018 in the U.S. and Canada for USD $699.95 and CAD $899.99.
The new FUJIFILM X-T100 body will be available on June 18, 2018 in the U.S. and Canada for USD $599.95 and CAD $749.99.
Fujifilm X-T100 specificationsPriceMSRP$599 body only, $699 w/16-50mm lensBody typeBody typeSLR-style mirrorlessBody materialComposite/MetalSensorMax resolution6000 x 4000Image ratio w:h1:1, 3:2, 16:9Effective pixels24 megapixelsSensor sizeAPS-C (23.5 x 15.7 mm)Sensor typeCMOSColor spacesRGB, AdobeRGBColor filter arrayPrimary color filterImageISOAuto, 200-12800 (expands to 100-51200)Boosted ISO (minimum)100Boosted ISO (maximum)51200White balance presets7Custom white balanceYes (3 slots)Image stabilizationNoUncompressed formatRAWJPEG quality levelsFine, normalFile format
- JPEG (Exif 2.3)
- Raw (RAF format, 14-bit)
- Contrast Detect (sensor)
- Phase Detect
- Selective single-point
- Face Detection
- Live View
- Shutter priority
- Aperture priority
- Continuous H/L
- 3840 x 2160 @ 15p, MOV, H.264, Linear PCM
- 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
- 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
- 1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM
- 1280 x 720 @ 60p, MOV, H.264, Linear PCM
- 1280 x 720 @ 50p, MOV, H.264, Linear PCM
- 1280 x 720 @ 24p, MOV, H.264, Linear PCM
- 1280 x 720 @ 23.98p, MOV, H.264, Linear PCM
Wed, 23 May 2018 23:06:00 ZLeaked Panasonic firmware update is made official
Panasonic had been planning on a May 30th announcement and release of firmware updates for its GH5, GH5S and G9 models, only to have that plan foiled by a leak of the announcement in Japan today. So while you can't download the actual firmware updates themselves until next week, here's a high-level look at what you can expect from the new software.
Autofocus performance is said to be improved on all three models for both stills and video shooting along with an improvement of the quality and performance of sound recording during video. For the G9 and GH5, the image stabilizer has been tweaked, and there have been some refinements of the high-resolution mode for the flagship G9.
Unfortunately, the web pages with all of the nitty gritty details for each camera (see the links in the press release below) aren't yet live, so we can't comment on what exactly the 'New Functions' and 'Other Improvements' will be for each model. That said, we're certainly looking forward to seeing how effective these AF enhancements will be when they land next week.
Firmware Update Service for DC-GH5, DC-GH5S, DC-G9 To Enhance Performance and Add New Functions
Newark, NJ (May 23, 2018) - Panasonic is pleased to announce new firmware updates for the DC-GH5 (Firmware Version 2.3), DC-GH5S (Firmware Version 1.1) and DC-G9 (Firmware Version 1.1) to further enhance their performance and usability. The firmware will be available on May 30, 2018.
The new firmware includes following upgrades:
LUMIX DC-GH5 Firmware Ver.2.3
- Improvement of AF performance
- Improvement of Body I.S. (Image Stabilizer) performance
- Improvement of sound recording performance
- New functions5. Other improvements
LUMIX DC-GH5S Firmware Ver.1.1
- Improvement of AF performance
- Improvement of sound recording performance
- New functions
- Other Improvements
LUMIX DC-G9 Firmware Ver.1.1
- Improvement of AF performance
- Improvement of Body I.S. (Image Stabilizer) performance
- Improvement of High Resolution Mode
- Improvement of sound recording performance
- New functions
- Other improvements
The new firmware programs will be available at LUMIX Customer Support Site on May 30, 2018 at: http://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index.html
The details of each firmware programs will also be available at the following pages:
LUMIX DC-GH5 Firmware Ver.2.3: http://www.panasonic.com/global/consumer/lumix/gh5_firmware.html
LUMIX DC-GH5S Firmware Ver.1.1: http://www.panasonic.com/global/consumer/lumix/gh5s_firmware.html
LUMIX DC-G9 Firmware Ver.1.1: http://www.panasonic.com/global/consumer/lumix/g9_firmware.html
*Specifications are subject to change without notice
To learn more about Panasonic’s line of LUMIX Digital Cameras and other consumer electronic products please visit www.shop.panasonic.com and www.lumixlounge.com. You can also follow Panasonic on Twitter (@mypanasonicNA) and Facebook.
About Panasonic Consumer Electronics Company
Based in Newark, NJ, Panasonic Consumer Electronics Company is a division of Panasonic Corporation of North America, the principal North American subsidiary of Panasonic Corporation. The company offers a wide range of consumer solutions in the U.S. including LUMIX Digital Cameras, Camcorders, Blu-ray players, Home Audio, Technics, Cordless Phones, Home Appliances, Beauty, Grooming, Wellness and Personal Care products and more. Panasonic was featured in Fortune Magazine's 2016 ranking of 50 companies that are changing the world and doing well by doing good. Specifically cited were its smart and sustainable technologies, including its contributions to smart cities and the electric vehicle revolution.
Follow Press Updates for Panasonic Consumer Products:
Internet - http://us.panasonic.com/news
Press Resource Contacts:
Panasonic North America Corp. Consumer Press consumer: email@example.com
Blair Riley (Porter Novelli): firstname.lastname@example.org
Wed, 23 May 2018 20:17:00 ZVideo: There's no such thing as lens compression, it's just perspective distortion
We've been saying for years that the term "lens compression" is misleading, but Lee Morris over at Fstoppers has put together a useful video that explains exactly why this is the case, and demonstrates it with two easy-to-understand examples.
The main issue with the term "lens compression" is that the distortion the term refers to has nothing to do with the lens itself. The issue is simply perspective distortion, caused by the distance between your camera and your subject, as well as the distance between your camera and the background.
Put another way: if your subject is 1 meter away (or feet: it doesn't really matter), and your background is 50 meters away, moving back 1 meter will double the distance between you and your subject, while barely changing the distance between you and the background—the perspective on your subject changes drastically, while the perspective on your background barely shifts at all.This diagram, from the FStoppers video, shows why changing your perspective appears to compress the background... When you double the distance to your subject you halve its size, but you've barely moved in relation to the background, so it remains roughly the same size in your image.
To show this concept in action, Morris uses two examples. First, he shows you how you can get the exact same perspective using a 24mm lens that you can with a 400mm lens by simply cropping the wide-angle shot. Then, he does the opposite, creating the same perspective as a 15mm shot by stitching multiple shots taken at 70mm.
Of course, that doesn't mean you should go throw out all of your lenses and just pick one focal length to either crop or stitch with. Physical limitations apply: like how much room you have to back up, how much resolution you're willing to sacrifice by cropping, and how much sanity you have to spare if you're trying to create a 15mm shot by taking a thousand shots with an 800mm lens.
The demonstration is just that: a demonstration of a concept that is often misunderstood because of the language we use to describe it. The compression you get using a long lens isn't a result of the lens, so much as the distance between your subject, your background, and the camera.
Digital Photography School
Thu, 24 May 2018 19:00:00 +0000How Conquer Your Fear of People as a Photographer
You know the feeling; shyness around strangers, dreading new situations, sleepless nights worrying, completely self-conscious in a crowd, thinking that everyone is judging you. In short, a fear of people.
Your fear and inhibition are like having “stage fright” in everyday life. All of this leads to you suppressing your personality, your creativity, and any chance to share your gift of photography with your culture and the world. All of this fear is dangerous because it blocks your creativity, making you become miserable and anxious.
But there is hope for you because many folks have overcome their fear of people and gone on to thrive as photographers. Below are five exercises that will help you to conquer your fear of people too.
How to Overcome Self-Consciousness and Fear
“If you want to conquer fear, don’t sit home and think about it. Go out and get busy.” – Dale Carnegie
The way to overcome self-consciousness, fear, and shyness is to practice the healthy opposite.
What is the healthy opposite of fear and inhibition? Having a healthy confidence, the ability to enjoy other people, and the courage to try your best and accept constructive criticism. Here’s how you can work toward that.
1. Begin with a Healthy Goal
Without healthy goals to aspire to, your life will be stagnant. You need a goal or you have nothing to move toward. Here’s a good goal for you if you’re a fearful photographer. Aim to become a creative photographer who is comfortable and confident with people.
Setting a goal doesn’t help you much unless you’ve got some steps to achieve it. Let’s see how to practice the healthy opposite of fear so that you can become “a creative photographer who is comfortable and confident with people.”
Begin with the smallest steps possible, and gradually improve from there.
2. Use Your Voice
If you’re afraid of people, you probably don’t speak much. You’re likely afraid of having your ideas rejected, giving damaging advice, or being locked in a heated debate. But as long as you’re a kind and thoughtful person, these things aren’t likely to happen often.
The worst part about speaking up is the nervousness you feel just before saying something. Ignore that “stage fright.” Overcome it by saying something small. Don’t go big, just practice by making small talk.
Perhaps you’re interested in street photography, but you’re so afraid of people that you could never ask for a portrait of them. You could practice getting comfortable by making small talk with strangers. Don’t even bring your camera along, that’s too much pressure. Just practice small talk.
Once you get over that initial discomfort of striking up a little conversation, asking strangers to take their picture won’t be as scary.
On the Job Training
Another way to become comfortable working with people is to get a job working at a department store portrait studio. If you work during the Christmas rush you’ll have the opportunity to photograph hundreds of families.
Because it’s your job, you’ll be forced to talk with them. This repetition will help you get over your fear of talking with people. Remember, you’re not there for the photography itself. You’re there to practice talking with people so that you can get over your fear and move toward your goal of being a creative photographer who is comfortable and confident with people.
3. Offer Compliments
If you’re not sure how to start a conversation, start by noticing something that you can sincerely compliment a person about. Self-consciousness and fear paralyze you by keeping you focused on yourself in negative ways. If you’re always self-conscious, then you need to just take the spotlight off yourself by focusing on other people instead.
When you focus on offering people compliments two things will likely happen. First your attention is turned away from yourself and on to them. Second, your mind is turned away from negative thoughts (about yourself) and toward positive thoughts (about them) instead.
When I was a senior portrait photographer I would always find some little thing to compliment students about. If it was obvious that they spent a lot of time on their hair, that’s the compliment I gave. Maybe they had a great smile, or were funny, or we had something in common.
Focusing on the other person and having something nice to say will build bridges and help you to overcome your fear and discomfort around people.
4. Visualize Criticism
You may quickly get over the fear of talking to people or the anxiety you feel over negative thoughts about yourself. But how about receiving criticism of your photographs? This is one of the worst things imaginable for some photographers.
If you panic or become consumed with anxiety and want to “just give up” over the slightest criticism of your photos, then you need to learn to take criticism better. It’s not comfortable at first, but it can be done.
Here are some steps
First, admit that you are not perfect and that you should always focus on improvement. Be humble and admit that some healthy criticism could actually help you.
Second, seek it out. That’s right, go looking for critiques! Look for people who are better than you who can show you how to improve. You want to grow as a person and a photographer don’t you? Ask successful people how you can be better.
Third, visualize criticism. You can practice receiving the image critique comfortably before actually receiving it. Close your eyes and imagine someone saying, “These photos are terrible” or “That’s not your best work.” Just imagine hearing those words. Get over the shock and uncomfortable feelings. How could you respond to their harshness in a positive way?
Do you think it seems weird to use your imagination this way? Yes, it may seem strange at first. But it’s exactly how you’re already using your imagination.
Your self-conscious fear is leading you to imagine what people are thinking and saying about you. Your imagination is causing you to fear criticism and be paralyzed instead of receiving it graciously, improving, and moving forward toward your goal of being a creative photographer who is confident and comfortable with people.
Consider who you are receiving the criticism or critique from. If you post photos online, you’re eventually going to receive harsh criticism from someone, solicited or not. The internet is an easy place for people to be mean and remain anonymous.
Please feel free to ignore people who are harsh and cruel. But always listen to the constructive criticism by other photographers who actually care about you and want to help. Their insights can be very valuable, making you a better photographer.
5. Open up, be vulnerable, and make friends
Your fear and shyness of people may come from your honest desire not to bother anyone. You avoid saying or doing the wrong thing. But are you also avoiding friendship and positive interaction too?
Begin with small talk and offer compliments. Become comfortable with conversation and criticism. Once you’ve done this then opening up and going deeper with people won’t be so hard.
Do you know what you might discover? You’re not alone in your fears. Other people (and especially photographers) are afraid too. And they’ll be thankful that you spoke up, and shared your ideas and your creativity. Courage is contagious.
Go Forward Toward Your Goals
I used to be terrible with people, especially with kids. But I used all of the ideas above to break out of my shyness and conquer my fear of people. I still feel uncomfortable at times. But now I run my own photography business specializing in people! Whether it’s families or individual portraits, I’m able to connect with people and help them to feel comfortable in front of the camera.
If your goal is to become a creative photographer who is comfortable and confident with people, follow the steps above. It’ll take time, but start small and soon you’ll be thriving among people.
Thu, 24 May 2018 14:00:00 +00007 Quick Tips To Help You Capture Better Portraits
Taking great portraits is a great genre of photography to master. Some of the most famous photographs in the world and even paintings are simple head and shoulder portraits. They can tell us so much about the person being photographed. Think of arguably the most famous painting of all time and most people would probably say the Mona Lisa. But taking portraits also seems to be a difficult thing for newbie photographers to do. Fear not, here are 7 quick tips to help you capture better portraits.
1. Start with a conversation
It might seem daunting taking someone’s portrait, even in a studio. But it will get so much easier if you build a rapport with the person first. Whether it’s in the studio or in the street, start the shoot with a conversation and get to know who they are. Find out what they do, what they like, and even what their personality is like.
If you can, make them laugh with a joke. Not only will all of this help build a picture of who they are which can influence the photo, but it will also mean that they are much more comfortable working with you.
This, in turn, will mean that they will be more relaxed and also more be accommodating to you taking their photo. Clearly, sometimes that will be difficult in travel photography, for example, when you might not speak the same language. But even then it’s amazing what a few hand gestures, a few local phrases, and a smile can achieve.
2. Frame carefully
While it might seem obvious, it’s amazing how often I’ve seen a portrait taken where it hasn’t been framed properly. When you are taking an environmental portrait, you need to capture some of the person’s surroundings to be able to tell a story. But when you’re doing a normal head and shoulders portrait, the sole focus should be the person standing in front of you. Their face is where the focus should be, so if there are distracting elements near them or in the background try to crop those out.
Often the reason that photographers end up with too many distractions in the photo is that they are too far away from their subject. So, if you find that you are not able to focus primarily on the subject’s face when taking a portrait, get closer.
3. Think about the background
Another key element of framing your portrait properly is to ensure that the background isn’t too overpowering. Ideally, a muted or plain surface such as a wall works best as the viewer isn’t distracted by anything else. They can focus solely on the person’s face. If you find that your subject is standing somewhere that doesn’t work best for the portrait, ask them if you can move them and position them somewhere better. Even if you don’t speak their language, usually pointing to where you want them to go does the trick.
If you find that you have to take the photo with too much stuff happening in the background, set a wide aperture so that you will get the background blurred. This will help make your subject stand out from the busy background and not get lost in the photo.
Most of the time the advice that you are given is to try and light your portrait using natural light, photograph your model from the front, and get close enough to eliminate any distractions. Sound familiar? For example, being outside on an overcast day is ideal for taking portraits as the soft even light means you don’t get harsh shadows on the person’s face.
But while these are great bits of advice that you should follow, it is also worth sometimes pushing the boundaries. So experiment with harsh lighting or even a more creative shots such as in the example below. I took a step back to let people pass and was immediately struck with the dynamism that having someone walk across the image brought to it. It’s still a portrait, but it’s a little more interesting than if there was no one else in the shot.
The key is to not be afraid to go against convention and try something different, you might be surprised by the results.
5. Keep the eyes sharp
If there is just one rule that you need to follow when it comes to taking better portraits, it is to ensure that the subject’s eyes are sharp and in focus. If the eyes are not in sharp focus, the whole image looks soft and unappealing. So, take extra care that you are focusing correctly and that you are keeping the eyes sharp.
When taking portraits outside, the majority of the time you can get away with using a fairly wide aperture. So as long as there is decent light your shutter speed should remain fast enough to avoid camera shake. If you are unable to keep a fast enough shutter speed, raise your ISO accordingly.
6. Take multiple shots
You often have a relatively short window when taking portraits as your subject will usually want to get on with their day. But that should still give you plenty of time to take multiple photos. Try taking photos in burst mode so that you can capture the exact moment when your model has their eyes open or has an expression on their face that works for the photo.
You can also try a few different compositions and even angles to give your photos variety. The great thing about digital photography is that it won’t cost you anything to take multiple photos as long as you have enough memory space.
7. Just relax
Sometimes the real key to taking any great photo is just relaxing and letting it happen naturally. So rather than rushing around and clicking away frantically, just slow down and take your time.
Start talking to people without the burden of knowing that you want to photograph them and if the situation lends itself to a photo just enjoy the process and have fun. Show the person the photos you’ve taken, keep everything casual and you will find that your photos become much better and more intimate.
Taking a great portrait takes great skill, but when done well it can have incredible results. You will find that not only will you have amazing photos that will look great anywhere, but also memories that you will cherish. Just follow these 7 quick tips to help you capture better portraits and you’ll be on your way to capturing great photos of people.
Please show us your portraits and share your tips advice below.
Wed, 23 May 2018 19:00:00 +0000My Top 5 Photography Documentaries on YouTube
Surrounding yourself with inspiration is one of the best ways to jump-start your creativity. By viewing the works of others, we connect with our own photographic practice. One of my favorite things to do in a creative lull is to trawl YouTube. I could spend hours looking for interesting photography documentaries to watch and study.
I always feel myself rearing to get photographing by the time the credits roll. So here are a few of the favorites that I like to revisit from time to time. I hope you enjoy them as much as I do!
#1 – The Many Lives of William Klein
Note: there is a warning of strong language in this video so if you find that offensive you might want to go to the next one.
William Klein is known for his gritty street photography as well as his fashion work with Vogue. As a creator of some of the most iconic imagery of the 20th century, the American-born French photographer originally trained as a painter. Despite having no formal training as a photographer, Klein won the Prix Nadar in 1957 for New York, a book of photographs he compiled in 1954. Since then, Klein’s work has been praised as uncompromising and revolutionary in both his approach and execution.
The Many Lives of William Klein takes a peek into Klein’s world as he prepares his retrospective exhibition. Smart and sarcastic, Klein recounts memoirs of his photographic past and shares insights into his process and passion for photography.
#2 – The Colourful Mr. Eggleston
Produced by BBC for its “Imagine” TV series, The Colourful Mr. Eggleston provides a rare look into the life and work of one of photography’s most influential proponents. William Eggleston was born in 1939 in Memphis, Tennessee to a family of plantation owners. He grew up in Sumner, Mississippi and spent six years studying at various art schools, never receiving a degree. When he received his first camera in 1957, a Canon rangefinder, he was hooked. As one of the first art photographers to use color film, he began visually recording the world around him, capturing everyday moments in life in compressed color and light.
Eggleston’s idols, Robert Frank, Henri Cartier-Bresson and Walker Evans roamed the world for photographic subject matter. But Eggleston remained rooted in Memphis. His wife, Rosa, tells the story that one day Eggleston told a friend that there was nothing to photograph because everything in the city was ugly. The friend told him to “photograph the ugly stuff” which set him on a path photographing a contemporary landscape made up of vending machines, light bulbs, power poles, wires, signs, urban decay and occasionally human subjects.
The Colorful Mr. Eggleston follows his photographic process in and around Memphis as he isolates the facets of everyday life that make up the dense, atmospheric imagery of his work.
#3 – The Genius of Photography
The Genius of Photography is a series originally featured on BBC Four that investigates the rich history of photography. Over the six-part series, the documentary explores an aspect of the photographic medium. It covers the earliest incarnations of photography through to modern digital practice.
From art to commercial photography, the series includes interviews and encounters with some of the world’s best including William Klein, Sally Mann, Jeff Wall and many more.
#4 – Lomography: Shoot from the Hip
The Lomo Camera: Shoot from the Hip is a colorful insight into the history and momentum of the Lomography movement. The philosophy behind Lomography is “Don’t Think, Just Shoot”, encouraging spur-of-the-moment photography not dissimilar to Cartier-Bresson’s decisive moment. The movement is also accompanied by 10 golden rules encouraging spontaneous, active photography with less concern for formal photographic technique.
While Lomography itself can be a bit hit-and-miss, the documentary conveys a world of unfocused color and spontaneity. But the Lomo ethos isn’t reserved only for photographers with plastic cameras; much of the Lomographic practice can still appeal to those with more hi-tech photographic equipment. With rules like “Take your camera everywhere you go” and “Lomography is not an interference in your life, but part of it.”
The Lomo Camera: Shoot from the Hip inspires a fun and creative approach that can be applied across the board photographically.
#5 – The Photographers
Working for National Geographic is a job that many photographers dream of, but few attain. With some assignments lasting for months, National Geographic’s camera staff aren’t just journalists, they’re artists, braving a myriad of hardships. As one Nat Geo photographer featured on the Photographers, Michael (Nick) Nichols explains, “The toughest part of [the] job often times is not taking photographs but surviving an environment”.
Seeking out “memorable images, unusual subjects, and unexpected moments” in some of the most unique and sometimes inhospitable of locations. The Photographers follows several Nat Geo photographers as they capture iconic shots the magazine has become known for, delivering beautiful and unique imagery and delving into what it is that makes up our world.
Photography documentaries are great because they give us a behind-the-scenes look at someone else’s photographic world. Every photographer works differently. So when we view another photographer’s practice, it’s as if they are passing their own inspiration on to us.
These are only a few of the wide selection of photographic documentaries to find on YouTube. So go ahead, start your own list of favorites and get inspired! Share your list in the comments below as well.
Editor’s list: here are a few others I recommend if you can find them:
- War Photographer – James Nachtwey. I can’t find the whole documentary on YouTube but you can watch his TED talk here.
- The Big Bang Club is about news photographers in South Africa during the fall of the Apartheid. This one you might have to pay to watch but it’s really worth it.
- Double Exposure is about the life of photographer Margaret Bourke-White, one of the earliest women photojournalists. I can’t find it on YouTube but look around maybe you can find a copy somewhere.
Wed, 23 May 2018 14:00:00 +0000Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends
Everyone is a photographer. We all love to use our phones, tablets, or cameras to take photos. What’s more, we all share them and publish them for the world to see. This phenomenon has changed photography and photographers.
Not so long ago you needed to have a camera to be able to take a photo, there was no other way. Before the explosion of social media sites hit the internet is was decidedly more difficult to get your pictures published.
Go Beyond Social Media Norms
With the rise of Instagram, Facebook, Twitter and the proliferation of other media sharing websites, we are seeing and sharing more and more photographs every day. Standing out in such an enormous global crowd is not easy.
So how do you create a unique photography style which does not look the same as most of what’s already out there? Because, let’s face it, so much of it is so similar (and dull.) There are tons of pictures of pets, sunsets, selfies, kids and food, food, food.
Most successful photographers concentrate on one style. This can take years to develop. Dedication and experimentation are keys to attaining a photographic look and feel that is uniquely yours and will be recognized as such. Mastering any form of creative expression does not happen easily or without a lot of practice.
Step Outside Your Comfort Zone, Get Into a New Zone
You need to be willing to step outside your comfort zone. Don’t just keep photographing the same things, in the same way, that you are comfortable with already. Push yourself to do things with your camera that you’ve not experimented with before. Step out and photograph subjects you’ve wanted to but not have been bold enough to do so. You never know what you will discover by trying something different.
Don’t give up easily either. Giving up will not get you anywhere if you haven’t first shown some commitment to producing some photographs you are content with.
As a young man, I was painfully shy. I loved photography, but could never bring myself to photograph people. My sister encouraged me. She told me my photos were excellent, but really lacked the inclusion of people.
She was not so happy when she became my subject. I also started photographing friends as we hung out together and became somewhat comfortable photographing people that I knew.
Shortly after I landed a job in the photography department of a daily newspaper, I quickly realized that if I wanted to keep my job I would have to overcome my fear (yes, it was a real fear) of photographing strangers. Everything in me wanted to keep the job at the paper and to succeed as a photographer, so I pressed on and challenged myself to break through.
Now my main love in photography is taking pictures of people. Often they are people I do not know.
Most people will not face the same test to develop their photography abilities as I was confronted with. But I hope my story can inspire you to press on trying new things with your photography and to persevere in going beyond your comfort zone.
Experience and Experiment
As you experiment, keep in mind that your worldview is unique. No one else sees or experiences the world quite the same way you do.
Think about how you can express this through your photography. What do you see that someone else might not? Why do you feel a certain way about the subjects you are photographing? No one else will feel just the same.
Connect with your subject, whether it’s a person, a pet, a landscape or your lunch, and photograph it with feeling. More often than not you will create a strong, more unique image than if you just take a quick snapshot.
Go Beyond Your Gear
As you seek to develop your own unique personal photography style try not to concentrate too much on your equipment. Pouring all your attention into what you’re doing with your camera will not help you connect with your subject and you will produce less dynamic photographs. No matter how technically correct your images are, they will often be rather dull if you are not connecting with your subject.
However, the more comfortable you are with your camera, and the more proficient in knowing what it’s capable of and the best settings to use will help you immensely.
Loving your camera and knowing it well, so you can use it as an integral part of your creative process, will assist you in developing your photography style. The more focused you are on trying to figure out which lens to attach and what shutter speed will be needed, the more likely you are to disconnect with your subject. The more familiar and comfortable you are with your camera the better.
Have Precise Control
Anyone who’s read my articles watched my videos or taken my workshops or online courses will know I always encourage the use of a camera in Manual Mode. Being in precise control of the equipment you are using will definitely facilitate your unique creative growth.
Using settings which give your camera control of the exposure (auto modes) will give you results like everyone else who relies on these settings. In Manual Mode you have the choice to expose your photos as you like, not always as your camera dictates.
You are Unique – Create Unique Photographs
Experiment! Take time and work with a purpose and a goal in mind. Be inspired to step beyond creating just another snapshot for your social media posts and make a point of producing strong photographs expressing your unique perspective of the world you live in.
It’s not easy to do. But press on and don’t give up. Make a start with your first ideas and keep at it. Be flexible and adapt as you develop.
At first, you might love the topic or photography style you’re working on and later find you are drawn to a something a bit different. Go with the flow, so long as you are continuing to produce photographs you are happy with and you can see a progression in what you are doing.
To learn the story behind some of these photographs please check out this video:
I’d love to know how you are developing your photography style, whether you are inspired by this article and just starting out, or if you’ve been working on your own particular style for some time. Please share your thoughts and photos in the comments section below.
The post Why You Should Find Your Own Photography Style and Not Conform to Social Media Trends appeared first on Digital Photography School.
Tue, 22 May 2018 19:00:00 +0000Camera Comparison – The Fujifilm X-H1 Versus the Sony a7R III
Two of the hottest mirrorless cameras you can get your hands on right now are the Sony a7R III and the Fujifilm X-H1. My husband owns one and I have the other. In the past few months, we’ve been experimenting with our new cameras and have noticed quite a few similarities and differences. This is by no means a comprehensive camera comparison, but some of the main differences will be highlighted below.
My husband and I are both photographers who have always been in opposite brand camps. We were Nikon versus Canon during the height of the DSLR. Now in the mirrorless world, we are Fujifilm versus Sony. I’m a full-time photographer specializing mainly in food and architecture photography, while my husband is a part-time assistant photographer.
Our differing photo needs and styles have partially dictated our camera brand loyalty. I prefer Sony for its higher megapixel count for architecture photos and also its more flexible lens selection. Meanwhile, my husband loves Fujifilm for their rangefinder design and film simulations.
One thing we can agree on is that we both have an interest in making more videos. That is why we specifically choose the Sony a7R III and Fujifilm X-H1 as our new cameras. Note that at the time, the Sony a7R III was the newest camera on the market–there wasn’t yet a Sony A7III or a Sony a7S III, both of which are arguably better cameras for video.
Before we talk about differences, the Sony a7R III and Fujifilm X-H1 do have many features in common. First, both cameras have enhanced, on-par video recording capabilities. They shoot in 4K and 120 fps slow motion video, and both cameras offer in-camera image stabilization (IBIS). Built-in Wi-Fi and Bluetooth are available on both cameras to facilitate quick transfers to cell phones or tablets.
Physically, both cameras have dual SD card slots for more storage flexibility. There’s also focus peaking to help highlight areas that are in focus, which is especially helpful when using manual-focus lenses. Finally, there are tiltable touchscreens on both cameras. However, touchscreen capabilities are quite limited and you can’t perform full camera operation with them.
Here is the same scene, shot with both cameras for comparison.
In terms of things that neither camera offer, the list isn’t terribly long. But ideally, both cameras would offer a more flexible tilt and swivel screen. Built-in GPS for geotagging photos is also missing.
Finally, both cameras come with hot-shoe mounts for attaching an external flash. However, neither camera comes with a built-in flash.
Sony a7R III Benefits
Larger Sensor, More Megapixels
The biggest difference exists in the cameras’ sensors. There’s a full-frame, 42.4-megapixel sensor on the Sony, while the Fujifilm has an APS-C 24.3-megapixel sensor. Currently, Fujifilm does not make any full-frame mirrorless cameras, although that will change when the X-T3 comes out in late 2018.
Depending on your photography style, more megapixels is a generally a good thing. Although, it does require using SD cards and hard drives with significantly more storage space for those large file sizes.
Super High-Resolution Composite (Pixel Shift)
Speaking of resolution, there’s a new feature on the Sony a7R III called Pixel Shift. In short, this increases image resolution by 4 times. You still have to shoot individual images and stitch them together in post-production using the included software. The result is a super high-res image that’s great for shooting landscapes or buildings.
Longer Battery Life
Mirrorless cameras have long been criticized for having poor battery life. Luckily, Sony responded positively by putting a new Z-battery in the a7R III. This battery isn’t cheap, but it offers a much longer battery life than the X-H1 at 650 shots versus 310 shots.
Hyperlapse Filming Mode
One thing many Sony shooters miss from the a7R II is the PlayMemories App that added built-in features such as time-lapse shooting. However, time-lapse can still be taken on the a7R III if you use the S&Q setting.
This allows for shooting slow motion or fast (hyper-lapse). If you do the latter, this is essentially a hyper-lapse that is taken in camera. Just be sure to adjust the settings in the camera, as S&Q can be set to shoot slow motion or hyper-lapse videos.
Since recording accurate sound is a big part of video-making, it’s essential to have a headphone jack. This is present on the Sony a7R III but is oddly missing from the Fuji X-H1.
Bigger Buffer for JPGs
The X-H1 is a faster camera when it comes to shutter speed and frames per second (more on that below). But the Sony has a leg up when it comes to JPG buffering, or how many more JPGs you can shoot before waiting in burst mode. It’s 82 shots on the Sony a7R III compared to 40 shots on the Fuji X-H1.
Sony – The Sony a7R III has a native ISO sensitivity range of 100 to 51,200. When extended, the Sony can reach ISO 50 to 204,800 for stills, or 102,400 for video.
Fuji – Meanwhile, the X-H1 has a slightly smaller range of ISO 200 to 12,800 or an extended ISO range of 100 to 51,200 for stills or 25,600 for video.
Bigger Lens Selection
When it comes to lenses, Sony has a wider array of choices compared to Fujifilm. If you need traditional focal lengths such as the 16-35mm, 24-70mm, or 70-200mm, you’ll want to go with Sony.
Fujifilm X-H1 Benefits
Top LCD Display
The X-H1 takes on the look of a DSLR camera, departing a bit from Fujifilm’s more classic rangefinder design. Part of the DSLR look includes a top LCD display where you can easily see your camera settings. In practice, that may or may not be helpful since the pop-out LCD can also show your camera settings.
Faster JPG and RAW Shooting
Interestingly, the Fujifilm X-H1 is quite a bit faster than the Sony a7R III. The X-H1’s shutter is faster at 1/32,000th versus 1/8000th when shooting wide open in bright light. Also, the X-H1 has faster RAW and JPG shooting in burst mode (14 FPS for the Fuji as compared to 9 FPS on the Sony).
Despite being a crop sensor camera, the X-H1 is set up better for taking night photos. It has a long exposure of up to 900 seconds (15 minutes – in M and S shooting modes), compared to 30 seconds on the Sony a7R III.
Built-In Film Simulations
Fujifilm has been mastering color profiles long before digital cameras even existed. Many color profiles from film days have been added into digital cameras in the form of built-in film simulations. Six have existed until the X-H1 which saw the addition of the brand new Eterna film simulation. If you’re a fan of Fujifilm colors, this could be a big selling point.
Here is a video comparison going over some of these things as well:
Both the Fujifilm X-H1 and Sony a7R III are fantastic digital photography tools that offer lots of features for those looking to up their photo or video game. Which is best for you depends largely on your photography style. What do you like to shoot, and what are the basic tools of the trade that you need to make that happen?
As a commercial architecture, food, and event photographer, I need the extra megapixels, ISO range, and lens choices offered by Sony. However, these features aren’t as critical to my husband, an editorial photographer who values the physical aesthetic and experience of shooting with a Fujifilm camera as much as the image quality.
Here are some more images of the same scene for comparison:
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